Introduction to socially engaged arts: Diverse approaches for mitigating societal challenges through arts-based initiativesAMASS Mooc
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Lesson 8.11 Summary of Lesson 8

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Lesson 8.10 Review of the Relationship as process map
Back to: Introduction to socially engaged arts > 8. Developing positive partnerships in socially engaged art projects - UNITED KINGDOM

Introduction to socially engaged arts

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  • 1. Artistic open form and art education for the Deaf. Emancipating people - CZECH REPUBLIC

  • Lesson 1: Artistic open form and art education for the Deaf. Emancipating people
  • Lesson 1.1: Introduction
  • Lesson 1.2: Czech glass
  • Lesson 1.3: Deaf children at the museum
  • Lesson 1.4: Open form
  • 2. Introduction to socially engaged arts for inclusive communities - FINLAND

  • Lesson 2: Introduction to socially engaged arts for inclusive communities
  • Lesson 2.1: An Overview of Socially Engaged Arts (SEA)
  • Lesson 2.2: SEA Defined
  • Lesson 2.3: Who is Suzanne Lacy?
  • Lesson 2.4: What are the challenges and criticisms faced by SEA?
  • Lesson 2.5: Case Studies of SEA
  • Lesson 2.6: Case Studies of SEA
  • Lesson 2.7: Case Studies of SEA
  • Lesson 2.8: Generating Impact through SEA
  • Lesson 2.9: The Role of Research in Producing Evidence for Impact Generated through SEA Projects
  • Lesson 2.10: Documenting Evidence for SEA
  • Lesson 2.11: Summary
  • 3. Social media presence of disadvantaged communities: Arts-based interventions and visual storytelling to make their true voice heard - HUNGARY

  • Lesson 3: Social media presence of disadvantaged communities: arts-based interventions to make their true voice clearly heard 
  • Lesson 3.1 An introduction to visual storytelling 
  • Lesson 3.2 What is storytelling? 
  • Lesson 3.3 Storytelling in marginalized communities
  • Lesson 3.4 What makes a good story?
  • Lesson 3.5 Storytelling techniques
  • Lesson 3.6 Storyboarding 
  • Lesson 3.7 Creating your stories 
  • Lesson 3.8 Visual storytelling in movies
  • Lesson 3.9 Shooting & Editing 
  • 4. Design-driven participatory processes with stakeholders in the arts and culture field - ITALY

  • Lesson 4: Design-driven participatory processes with stakeholders in the art and culture field
  • Lesson 4.1 Introduction 
  • Lesson 4.2 Why a design approach?
  • Lesson 4.3 The power of participatory design 
  • Lesson 4.4 What is the role of design in cultural policy-making?
  • Lesson 4.5 The participatory process, its purpose, methods, and tools
  • Lesson 4.6 How to engage participants?
  • Lesson 4.7 Working ethically in the era of the GDPR
  • Lesson 4.8 Good practices for data collection
  • Lesson 4.9 What is abductive reasoning, and why does it matter in design-driven activities?
  • Lesson 4.10 Sense-making in practice: analysing and synthesising
  • Lesson 4.11 Building impactful research outputs to create meaningful conversations
  • Lesson 4.12 The role of facilitation in creating effective and inclusive group dynamics in participatory and collaborative settings
  • Lesson 4.13 Relational skills in action: Techniques for facilitating participatory activities in different set-ups
  • Lesson 4.14 The power of visualisation in facilitation
  • Lesson 4.15 Wrap-up! Design-driven participatory processes with stakeholders in the arts and culture field overview
  • 5. Engaging communities in the arts - MALTA

  • Lesson 5: Engaging Communities in the arts
  • Lesson 5.1: Engaging with Urban Spaces
  • Lesson 5.2: Community-based Theatre
  • Lesson 5.3: Methodological issues in studying socially engaged art
  • Lesson 5.4: Managing Community Engagement
  • 6. Giving body to the voices - The importance of documentation - PORTUGAL

  • Lesson 6: GIVING SHAPE TO THE VOICES - the importance of documentation 
  • Lesson 6.1: GIVING BODY TO THE SENSE OF SIGHT 
  • Lesson 6.2: GIVING BODY TO THE SENSE OF HEARING 
  • Lesson 6.3: GIVING BODY TO THE SENSE OF TOUCH
  • Lesson 6.4: GIVING BODY TO THE SENSE OF SMELL
  • Lesson 6.5: GIVING BODY TO THE SENSE OF TASTE
  • 7. European cultural policy and the socially engaged arts - SWEDEN

  • Lesson 7: European cultural policy and the socially engaged arts
  • Lesson 7.1: EUROPEAN CULTURAL POLICY
  • Lesson 7.2: CULTURAL POLICY PODCAST
  • Lesson 7.3: FINDINGS OF SLR STUDY
  • Lesson 7.4: BIBLIOMETRICS, SLRS, VOS VIEWER
  • Lesson 7.5: ALTMETRICS
  • 8. Developing positive partnerships in socially engaged art projects - UNITED KINGDOM

  • Lesson 8: Developing positive partnerships in socially engaged art projects 
  • Lesson 8.1: Engaging with each other - Introduction
  • Lesson 8.2 Key concepts
  • Lesson 8.3 Key tools
  • Lesson 8.4 Review of the Stakeholder matrix map
  • Lesson 8.5 Relationship as process tool
  • Lesson 8.6 Review of the Relationship as process map (Association phase)
  • Lesson 8.7 Case 1 - Fatima as a student
  • Lesson 8.8 Case 2 - Fatima as a museum employee
  • Lesson 8.9 Case summary & Activity
  • Lesson 8.10 Review of the Relationship as process map
  • Lesson 8.11 Summary of Lesson 8